It’s a Mad Mad Mad Mad World (Stanley Kramer, 1963)įans of Stanley Kramer’s all-star epic comedy have for years been clamoring for a reconstruction of this film’s short-lived original roadshow version. All of the fine extras from that earlier release have been ported over, along with many fine new ones – look for Leo McKern, in one his last interviews, doing a hilarious imitation of star Edward Judd!Ģ. This extremely smart and adult science fiction film seemed pretty good when for years it ran panned-and-scanned on commercial television, but the BFI’s outstanding Blu-ray offers a picture-perfect transfer of its extremely impressive ‘scope photography (and special tinting for its opening and closing reels), with audio far superior to Anchor Bay’s years-ago DVD release. The Day the Earth Caught Fire (Val Guest, 1962) In large part, however, it does take into consideration the work that went into reconstructing/restoring/presenting it (as opposed to simply releasing a preexisting video transfer), the “bang for the buck,” particularly in terms of the results versus the funds available to the label to do the work, and the creativity and ingenuity involved in the creation of extra features.ġ. This is not a list of the greatest movies released in 2014 or even necessarily the greatest video transfers. Narrowing a Best of Blu-ray list to only ten titles proved a daunting task. Today one can enjoy a very good approximation of what it was like for paying audiences when these movies were new, in the comfort of one’s own home. These movies were next to impossible to see anywhere in the world at all. Sporadically, many French, Spanish, German, Italian, Indian, and other countries occasionally offer domestic Blu-rays of their country’s classic films with English subtitles.īut perhaps most exciting developments in the Blu-ray realm have been the growing list of classic 3-D titles and the continuing reemergence of long-lost Cinerama releases. labels (Britain’s Arrow Films, for instance) are often far superior to their American counterparts. Further, video transfers and better extras from non-U.S. For instance, some of the best ‘50s Hollywood Westerns and sci-fi pictures, for instance, are currently exclusively available from German labels. Region-free Blu-ray players have become an essential piece of hardware, with so many of the best titles emanating from the damndest places. It’s been hard to keep up with all of the terrific catalog titles, even if most are being sublicensed by the majors to boutique labels like Olive Films, Kino, and Twilight Time. From an agonizingly slow start when the format was new, the flow of classic titles really exploded in the last year. The original U96 was a Type VII-C.Despite nearly everyone’s insistence (so it seems) that physical media is dead as a doornail, 2014 has, truly, been a remarkable year for home video, Blu-ray particularly. The original film set and models used during the making of Das Boot are open to the public as a part of the tour of the Bavarian Film Studios, Munich. A smaller-sized functional model 6-7m replica was used to film 'at sea' scenes. The non-functional full-size replica U-boat was accidentally sunk during filming, later raised and used also in 'Raiders of the Lost Ark'. Although they wanted to use an authentic one for the film, the only surviving VII-C Class U-Boat is now a national monument in Germany and could not be used for filming. There were three models made of the U-Boat used in the film, one of which was an exact replica made by the company that originally manufactured the boats during WWII. Location shooting included segments shot in the La Pallice bunkers. 11th April 2005 at 16:38 - Edited 1st January 1970 at 01:00ĭirected by Wolfgang Petersen Released in 1981 after two years of filming 'Das Boot' (The Boat) was, at the time of production, the most expensive German film in history, costing 30 million Deutsche Marks (US$40 million).
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